Turkish-Armenian Cultural Relations. There were cultural exchanges between the Turks and Armenians, who lived together for centuries during the Seljuk and Ottoman administrations. The “hemşehri” people, who lived side-by-side in city life in the same neighborhoods or different neighborhoods, took each other’s armenia casino beliefs, understanding, language, and folklore and also developed common life practices in villages. The primary one among the factors that pushed armenia casino the Armenians to be under the influence of the dominant element was the respectful and tolerant attitude of the Turkish administration as opposed to the pressure and massacres that they had experienced under the Byzantine administration and the Greeks. In addition, the possibilities that they obtained in the administrative, commercial, and social fields facilitated this interaction. The cultural partnership of the two communities can be clearly seen in language, which is a natural means of communication that provides understanding between people. There are over 800 words in Turkish that were taken from Armenian and there are over 4,000 words in Armenian that were taken from Turkish. The memories of Turkish are still extant in the surnames of many Armenians who emigrated to the West as the name of a profession (e.g. Rüyada elinde tahta kaşık görmek rahat ve güzel günlere sahip olunacağına, casino diplomalarının artacağına, para kazanmaya ve istediği şeyleri gerçekleştirmeye başlayacağına, geleceğinin parlak olacağına, aşkının meyveleri olarak çocuklarını kucağına alacağına, işlerin günden güne açılacağına delalet etmektedir.
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Nikoğos Ağa attended the Mawlawihanes (zawiyas of the Mawlawi order), called the adhan upon the request of the Sultan Abdulaziz, taught Turkish music to many people and his works were listened with appreciation by many Turks. All of this shows that the difference in religion and nation did not constitute a barrier for the sharing of artistic values. Composer Bimen Shen fascinated the imams, those people who memorized the Qoran and darwishes with the devotional songs he sang at the church when he was only seven. The three marching songs composed by Bimen Shen, who came to Istanbul after being convinced by Hajj Arif Bey, about the Çanakkale victory and the First World War are an expression of his fondness of the Turkish country and culture. The fact that Aleksan Ağa, Kemanî Tatyos and his student Oud players Arşak Çömlekçiyan, Levon Hancıyan, Sarı Onnik, Artaki Candan and many other Armenian composers are still listened to by the Turks with sincerity and respect is a proof that they have been adopted as their own. On the other hand, the shows of Güllü Agop and Magakyan, Mınakyan, who were pioneers of the Ottoman theatre, which was one of the important breakthroughs of the Tanzimat era, and many others were watched with interest. Armenian theatre companies displayed Turkish shows in which Turkish and Armenian artists shared the roles. There is no person who does not admire the way the Armenian actors and actresses use Turkish in Turkish cinema and the Turkish characters they played.
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